In Tunga's work, nets, real or virtual, are recurrent: hammocks, fishing nets, nets connecting bodies and things, nets that imprison or suspend. In this untitled work, developed between 2012 and 2016, thirty nets occupy the gallery's exterior area, attached to the surrounding trees and the gallery's own structure. Visitors can lie down in them and observe their surroundings. The large veranda, which encompasses the entire interior space, acts as a lookout point. From there, it is possible to observe the dense forest surrounding the building and also gain another perspective on the artworks, since the gallery is clad in glass.
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