In his untitled work (2001), Edgard de Souza revisits the tradition of bronze statuary between the 17th and 19th centuries, an important reference for his work. The torso is the point of contact between the two bodies – which become, at the same time, two and one.
It is possible to recognize a couple, but also a single body and its reflection. Focused on issues related to corporeality and self-representation, sculptures like this also evoke the atmosphere of imagination and dreams.
Posts
![Untitled, 2000; Untitled, 2002; Untitled, 2005, [aerial view], bronze. Photo: Marcelo Coelho](https://www.inhotim.org.br/wp-content/webp-express/webp-images/doc-root/wp-content/uploads/2021/04/inhotim_acervos_sem_titulo_edgard_de_souza-1-705x900.jpg.webp)
![Olafur Eliasson, By Means of a Sudden Intuitive Realization, 1996, [detail], fiberglass igloo, water, strobe lighting, water pump and plastic, 300x510. Photo: William Gomes](https://www.inhotim.org.br/wp-content/webp-express/webp-images/doc-root/wp-content/uploads/2021/05/inhotim_acervo_by_means_of_-sudden_intuitive_realization_olafur-705x900.jpg.webp)
![Zhang Huan, Gui Tuo Bei, 2001, [detail], stone, 640x195x250 cm. Photo: William Gomes](https://www.inhotim.org.br/wp-content/webp-express/webp-images/doc-root/wp-content/uploads/2021/04/inhotim_acervo_artista_zhang_huan_gui_tuo_bei_1-705x900.jpg.webp)
![Paul McCarthy, Pinocchio Block Head, 2001, [detail], bronze, 320x167x230 cm. Photo: William Gomes](https://www.inhotim.org.br/wp-content/webp-express/webp-images/doc-root/wp-content/uploads/2021/04/inhotim_acervos_pinocchio_boxhead_paul_mccarthy-2-705x900.jpg.webp)
![Amilcar de Castro, Untitled, 2001, [detail], corten steel, 448 x 500 x 122 cm. Photo: William Gomes](https://www.inhotim.org.br/wp-content/webp-express/webp-images/doc-root/wp-content/uploads/2021/04/inhotim_acervos_artista_amilcar_de_castro_-2-2-705x900.jpg.webp)
