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  • John Ahearn & Rigoberto Torres, Brumadinho Bus Station, 2005, automotive paint on fiberglass, 530x1500x20 cm. Photo: William Gomes

    Abre a porta; Rodoviária de Brumadinho

    John Ahearn & Rigoberto Torres

    John Ahearn & Rigoberto Torres, Brumadinho Bus Station, 2005, automotive paint on fiberglass, 530x1500x20 cm. Photo: Eduardo Eckenfels
  • The original work, composed of 20 pieces, was created by the artist and produced in collaboration with the Inhotim team. Photo: Ana Clara Martins

    Apenas depois da chuva

    Receba Carapiá

    The original work, composed of 20 pieces, was created by the artist and produced in collaboration with the Inhotim team. Photo: Ana Clara Martins
  • Chris Burden, Beam Drop Inhotim, 2008, [detail], concrete and 71 steel beams, 12x12x11 m. Photo: William Gomes

    Beam Drop Inhotim

    Chris Burden

    Chris Burden, Beam Drop Inhotim, 2008, [detail], concrete and 71 steel beams, 12x12x11 m. Photo: Carol Lopes
  • Chris Burden, Beehive Bunker, 2006, concrete, steel rebar for reinforced concrete, steel wire, cast iron manhole cover, variable dimensions. Photo: Eduardo Eckenfels

    Beehive Bunker

    Chris Burden

    Chris Burden, Beehive Bunker, 2006, concrete, steel rebar for reinforced concrete, steel wire, cast iron manhole cover, variable dimensions. Photo: Eduardo Eckenfels
  • Dan Graham, Bisected Triangle, Interior Curve, 2002, mirrored glass and stainless steel, 220x713x504 cm. Photo: Eduardo Eckenfels

    Bisected Triangle, Interior Curve

    Dan Graham

    Dan Graham, Bisected Triangle, Interior Curve, 2002, mirrored glass and stainless steel, 220x713x504 cm. Photo: Brendon Campos
  • Olafur Eliasson, By Means of a Sudden Intuitive Realization, 1996, fiberglass igloo, water, strobe lighting, water pump and plastic, 300x510. Photo: William Gomes

    By Means of a Sudden Intuitive Realization

    Olafur Eliasson

    Olafur Eliasson, By Means of a Sudden Intuitive Realization, 1996, [detail], fiberglass igloo, water, strobe lighting, water pump and plastic, 300x510. Photo: William Gomes
  • Cristina Iglesias, Vegetation Room Inhotim, [detail], 2010-12, steel, stainless steel, bronze, polyester resin and fiberglass, 285x940x940 cm. Photo: Daniela Paoliello

    Cristina Iglesias

    Cristina Iglesias

    Cristina Iglesias, Vegetation Room Inhotim, 2010-12, [detail], steel, stainless steel, bronze, polyester resin and fiberglass, 285x940x940 cm. Photo: William Gomes.
  • Tunga, Delight, 1999, iron and leather, 495x520x310. Photo: Tibério França

    Deleite

    Tunga

    Tunga, Delight, 1999, iron and leather, 495x520x310. Photo: Tibério França
  • Dominique Gonzalez-Foerster, Desert Park, 2010, concrete, sand, various books, varying dimensions. Photo: William Gomes

    Desert Park

    Dominique Gonzalez-Foerster

    Dominique Gonzalez-Foerster, Desert Park, 2010, [detail], concrete, sand, various books, varying dimensions. Photo: Marcelo Coelho
  • Doug Aitken, Sonic Pavilion, 2009, [exterior view], glass and steel pavilion coated with plastic film, 202 m deep tubular well, microphones and sound amplification equipment, 335x1400 cm. Photo: Marcelo Coelho

    Doug Aitken

    Doug Aitken

    Doug Aitken, Sonic Pavilion, 2009, [interior view], glass and steel pavilion coated with plastic film, 202 m deep tubular well, microphones and sound amplification equipment, 335x1400 cm. Photo: Daniela Paoliello
  • ​Giuseppe Penone, Elevazione, 2000-01, bronze, 1000x600x600. Photo: William Gomes.

    Elevazione

    Giuseppe Penone

    Giuseppe Penone, Elevation, 2000-01, [detail], bronze, 1000x600x600. Photo: William Gomes.
  • Elisa Bracher, Embryonic, 2003, Eucalyptus, cedar and iron pine wood, variable dimensions. Photo: William Gomes

    Equilíbrio Amarrado; Embrionário

    Elisa Bracher

    Elisa Bracher, Embryonic, 2003, Eucalyptus, cedar and iron pine wood, variable dimensions. Photo: William Gomes
  • Sculpture for all non-transparent materials (1985) by Waltercio Caldas. Inhotim Contemporary Art Collection

    Escultura para todos os materiais não transparentes

    Waltercio Caldas

    Waltercio Caldas, Sculpture for all non-transparent materials, 1985, stone, variable dimensions. Photo: William Gomes
  • Zhang Huan, Gui Tuo Bei, 2001, stone, 640x195x250 cm. ​Photo: William Gomes

    Gui Tuo Bei

    Zhang Huan

    Zhang Huan, Gui Tuo Bei, 2001, [detail], stone, 640x195x250 cm. Photo: William Gomes
  • Cildo Meireles, Inmensa, 1982-2002, corten steel, 400x810x445 cm. Photo: Pedro Motta

    Inmensa

    Cildo Meireles

    Cildo Meireles, Inmensa, 1982-2002, corten steel, 400x810x445 cm. Photo: Pedro Motta
  • Hélio Oiticica, Invention of Color, Penetrável Magic Square #5, De Luxe, 1977, [detail], painting on masonry walls, metal and glass roof, wire fence, rolled pebbles, 15x15x4,5 m. Photo: Brendon Campos

    Invenção da Cor, Penetrável Magic Square #5, De Luxe

    Hélio Oiticica

    Hélio Oiticica, Invention of Color, Penetrável Magic Square #5, De Luxe, 1977, [detail], painting on masonry walls, metal and glass roof, wire fence, rolled pebbles, 15x15x4,5 m. Photo: Brendon Campos
  • LaisMyrrha openings inhotim-icaro moreno-2

    Lais Myrrha — Contraplano (2026)

    LaisMyrrha openings inhotim-icaro moreno-2
  • Marilá Dardot Gallery, Play Arquitetura, 2011. Photo: Pedro Motta.

    Marilá Dardot

    Marilá Dardot

    Marilá Dardot, The Origin of the Work of Art, 2002, [detail], 150 ceramic vases in the shape of letters, soil, seeds and gardening tools, varying dimensions. Photo: Pedro Motta
  • Yayoi Kusama, Narcissus Garden, 1966/2009, stainless steel spheres, variable dimensions. Photo: Daniela Paolielo

    Narcissus Garden

    Yayoi Kusama

    Yayoi Kusama, Narcissus Garden, 1966/2009, [detail], stainless steel spheres, varying dimensions. Photo: Pedro Motta
  • Inhotim collection, art, outdoor artwork, Rommulo Vieira Conceição: physical space can be a complex, abstract, and constantly evolving place.

    O espaço físico pode ser um lugar abstrato, complexo e em construção

    Rommulo Vieira Conceição

    Inhotim Collection Art, Outdoor Work, Rommulo Vieira Conceição, Photo by Ana Luiza Albuquerque
  • Rirkrit Tiravanija, Palm Pavilion, 2006-08, [interior view], metal, wood, palm trees, various materials, varying dimensions. Photo: Pedro Motta

    Palm Pavilion

    Rirkrit Tiravanija

    Rirkrit Tiravanija, Palm Pavilion, 2006-08, [exterior view], metal, wood, palm trees, various materials, varying dimensions. Photo: William Gomes
  • Paul McCarthy, Pinocchio Block Head, 2001, bronze, 320x167x230 cm. Photo: William Gomes

    Pinocchio Block Head

    Paul McCarthy

    Paul McCarthy, Pinocchio Block Head, 2001, [detail], bronze, 320x167x230 cm. Photo: William Gomes
  • Jorge Macchi, Swimming Pool, 2009, white cement and granite mass, 12x12x1,8 m. Photo: Eduardo Eckenfels

    Piscina

    Jorge Macchi

    Jorge Macchi, Swimming Pool, 2009, [detail] white cement and granite mass, 12x12x1,8 m. Photo: Pedro Motta
  • Robert Irwin, Untitled, 2019, stainless steel, concrete, glass, 6.3x14,6. Photo: William Gomes

    sem título

    Robert Irwin

    Robert Irwin, Untitled, 2019, [detail], stainless steel, concrete, glass, 6.3x14,6. Photo: William Gomes
  • At Inhotim, a palm tree can be seen near the artwork Inmensa, by Amilcar de Castro. Photo: João Marcos Rosa/Nitro.

    sem título

    Amilcar de Castro

    Amilcar de Castro, Untitled, 2001, [detail], corten steel, 448 x 500 x 122 cm. Photo: William Gomes
  • Edgard de Souza, Untitled, 2001, bronze, 42x83x36. Photo by Daniel Mansur

    sem título

    Edgard de Souza

    Edgard de Souza, Untitled, 2001, bronze, 42x83x36. Photo by Daniel Mansur
  • Untitled, 2000; Untitled, 2002; Untitled, 2005, bronze. Photo: Pedro Motta.

    sem título; sem título; sem título

    Edgard de Souza

    Untitled, 2000; Untitled, 2002; Untitled, 2005, [aerial view], bronze. Photo: Marcelo Coelho
  • inhotim collection birdhouse

    Série Casa de pássaros, 2024

    AI 20241113 InstallationCasaPassarinhos AnaClaraMartins-02
  • The Mahogany Pavilion (Mobile Architecture No. 1), 2004 by Simon Starling. Inhotim Contemporary Art Collection

    The Mahogany Pavilion (Mobile Architecture nº1)

    Simon Starling

    Simon Starling, The Mahogany Pavilion (Mobile Architecture No. 1), 2004, inverted "loch long" sailboat (No. 73) built in 1963 by Boags Boat Yard in Largs, Scotland, using South American mahogany, 640x600x350 cm. Photo: William Gomes
  • Jarbas Lopes, Swap, 2002, 3 VW Beetles with sound systems, varying dimensions. Photo: Eduardo Eckenfels

    Troca-troca

    Jarbas Lopes

    Jarbas Lopes, Swap Meet, 2002, [detail], 3 VW Beetles with sound systems, varying dimensions. Photo: William Gomes.
  • Valeska Soares Gallery, 2009. Photo: William Gomes.

    Valeska Soares

    Valeska Soares

    Valeska Soares, Folly, 2005, [interior view], video transferred to DVD, 5', wood, glass, air conditioning, soundtrack The Look of Love, 250x1110 cm. Photo: William Gomes
  • Olafur Eliasson, Viewing Machine, 2001, stainless steel and metal, 190x530 cm. Photo: William Gomes

    Viewing Machine

    Olafur Eliasson

    Olafur Eliasson, Viewing Machine, 2001, Inhotim
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