Leitura: 3 min
Contrasts of time
How long does an invitation, a proposal, last? During the month of May, the art guided tours at Inhotim address still life and its relationship with time. The acknowledgment of time as a necessary condition for the existence of life has motivated several artists to risk the possibility of putting a stop to it. They tend to capture the instant, or even make time go by as if it were in slow motion, in which case it is possible to observe details of the transformation of something new based on what had existed, but no longer does.
One of the videos in the Natureza-Morta exhibit, at Galeria Fonte, is 10:51 (2009), by Argentinean artist Jorge Macchi. In this work, a clock projected onto the line between the wall and the ceiling causes us to observe how the experience with space conditions and is conditioned by our relationship with the passage of time. Have you stopped to think about how you get organized and is controlled by a clock hanging on your wall at home, on the street, at work or even attached to your wrist?
Another piece of work that establishes a deep dialog with the idea of time (de)composing is Ahora juguemos a desaparecer II (2002), by Cuban artist Carlos Garaicoa. In this work, the video-installation shows an ongoing experiment, in which famous pieces of architecture are set on fire, trigging a number of possible discussions that range from the emergence of new social orders to the suffering of ancient cultures. Often the social condition of different times and cultures builds unique perceptions of time, which happens through the observation of nature or is materialized in artifacts, from the sun clock to the work of art, for instance.
What does being part of time, belonging to time, mean?
Written by Alison Loureiro, art-educator at Inhotim