Leitura: 4 min

Simply Marepe

Simply Marepe

Marcos Reis Peixoto, or simply Marepe, was born in Santo Antônio de Jesus, a small town in the Recôncavo Baiano region.  His works at Inhotim are related to the northeastern cultural identity and to the simplicity of his place of origin, however, these works go way beyond this.  Rather than emphasizing on the drama of social problems, and perhaps even of the draught, Marepe potentiates discussions on the very stigmas created for the northeastern region.

Obra "A Bica" (1999), de Marepe

Obra “A Bica” (1999), de Marepe

A Bica (1999), Cabra (2007) and Olê ô picolé (2007), the three works by the artist currently on display at Inhotim, allow visitors to experience aspects of the everyday life ennobled of meanings, which is common in this work.  Marepe constantly uses materials that are not noble ones such as cardboard, rubber, beer cans and other everyday objects, building matter from ideas, from a form he likes to refer to as intuitive, despite the many influences present.  

Obra "Olê ô picolê" (2007), de Marepe

Obra “Olê ô picolê” (2007), de Marepe

By reutilizing products that gain new meanings when out of context, Marepe is constantly associated with French artist Marcel Duchamp, connected to Dadaism, an avant-garde modernist movement that started in the early 20th century. When conceptual art was decomposed and unfolded into philosophy, information, linguistics, mathematics, autobiography, and social criticism, it left a legacy in art history, and the artist uses this legacy to create works that translate his ideas, experiences and memories.  

Obra "Cabra" (2007), de Marepe

Obra “Cabra” (2007), de Marepe

His works are not appropriations of objects that acquire new symbolism; they are rather confections of objects similar to those used in the everyday lives of many people which, as art pieces, acquire new meanings.  Marepe calls these symbolic recreations nécessaire, while Duchamp refers to them as ready-mades.

At the park, Marepe’s simplicity if often perceived with a certain degree of awkwardness.   His works propose a dialog, cultural acknowledgment and reflection on recurring issues in contemporary art, with a Brazilian and northeastern twist at the same time.

Written by Beatriz Alvarenga, Daniela Rodrigues, Marília Balzani and Pedro Vinícius, Art and Education mediators at Inhotim

In February, the artistic theme visit proposes reflections on the works of Marepe on display at Inhotim.  Check out the program here.



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