Leitura: 3 min
Marilá Dardot and Work
During the Pampulha Scholarship program, Sara Ramo, Matheus Rocha Pitta and I, and, later, Rodrigo Matheus used to live together at Rua Apodi, 69. It was July or August 2003 and finally Cinthia Marcelle and I were in Belo Horizonte at the same time during the trumpet tree blooming. It was our chance to make Irmãs (Sisters), a work we had thought about a long time before and were waiting for the opportunity to make happen. Matheus was traveling during those days. It was Sunday, and Sara, Rodrigo and I sat down to make the flowers that would be used to color the ground under the trumpet trees whose colors would be switched. Rodrigo wanted to test a safety camera for his work, and because of that we positioned it in front of the sofa. In the middle of the process, we began to reflect on the nature of our work, and I remembered some panels with old didactic writings I had bought at the Exchange-it flea market in Rio, when I worked with Rosângela Rennó. WE ARE USEFUL. USEFUL. WE WORK. WE NEED IT TO LIVE. That is how Selvagens Nocivos (Harmful Savages) came about, together with its first video, A cada dia (Each Day).
Marilá Dardot on her relationship with the word work.
Born in Belo Horizonte, the artist is one of the participants in the Space, Work and History Seminar, which will take place on May 23 and 24 at Museu Histórico Abílio Barreto. It is a free event that is part of the activities on the 2014 Inhotim Escola program. Check out the detailed program for the event here.