Leitura: 3 min
Yayoi Kusama was still a child when she experienced her first hallucinations. The Japanese girls mind was then, inhabited by dots, balls and phallic shapes, which led to a compulsive disorder diagnosis. Aged eleven, the girl found a way to deal with her condition in using creativity. Currently, at the age of 84, still seeing the same shapes, she carries on working. The circular patterns, which have become a trademark for the artist, who is among Inhotims collection can be seen until January of 2014 in the works being displayed at Centro Cultural Banco do Brasil do Rio de Janeiro.
Infinite Obsession features paintings, installations, videos, sculptures and other works, comprising Kusamas first solo exhibition in Brazil. The CCBB visitor is invited to appreciate various artworks, such as Infinity Mirror Room Phallis Field (1965), Fireflies on the Water (2012). and Obliteration Room. The latter work is an interactive installation which was first conceived for the QueenslandArtGallery in 2002
and invites the audience to share the artist ‘s obsession by pasting colored polka-dot stickers on a white rooms wall (see TateShots flabbergasting final result of the installation in London)
The myth of Narcissus: Inhotims visitors are encouraged to appreciate their own reflection in one of the 500 steel balls floating on the water mirror. Photo: Daniela Paoliello.
If you have been to Inhotim before, you are probably acquainted with the Narcissus garden Inhotim (2009). It is a version of a former artwork set up for the 33rd Venice Biennale. At the time, Yayoi Kusama surreptitiously spread 1,500 mirrored balls on the official pavilions lawn. While wandering about, the visitor would then pass by the installation and see the sign she had placed between the spheres, which read: “Your narcissism for sale. The price? $2 a piece. The artist was removed from the festival, where she would only set foot again 27 years later, now as a guest.