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  • Outubro, 16. 2014

    Inhotim press room


    cultural programmingmusic

    Leitura: 2 min

    Contemporary Music at Inhotim

    Contemporary Music at Inhotim

    This coming Sunday, 10/19, the 2014 Inhotim em Cena project closes its program with the Contemporary Music Series. In this fourth edition, joined by American singer Martha Herr, the Minas Gerais group Sonante 21 will perform the play Pierrot Lunaire, one of the most influential works of music in the 20th century. The concert will also premiere a composition by Minas-born artist Rogério Vasconcelos, made especially for Inhotim.

    Written in 1912 by Arnold Schoenberg, Pierrot Lunaire comprises three sets of seven songs, based on poems by Belgian poet Albert Giraud and translated into German. The composition has an atonal and expressionistic character and uses sprechstimme, intermediate vocal technique between singing and speaking.

    Sonante 21

    Created in 2009 by musician Fernando Rocha, the Minas Gerais group is dedicated to studying and performing chamber pieces by contemporary composers, with emphasis on Brazilian compositions from the second half of the 20th century and 21st century. The following artists will take part in this performance: Guida Borghoff (piano), Rommel Fernandes (violin), Elise Pittenger (cello), Maurício Freire (flute) and Alexandre Silva (clarinet).

    Inhotim em Cena is brought to you by Pirelli, sponsored by Correios, supported by Saritur, and relies on the participation of Fundação Clóvis Salgado and Media partnership by Sou BH.

    Service:
    Contemporary Music Series with Sonante 21 and Martha Herr
    Instituto Inhotim – Rua B, 20 – Brumadinho/MG
    Date: October 19
    Time: 3 p.m.
    Location: Inhotim Theater
    Admission by order of arrival. The theater will open 30 minutes before the concert. Capacity 210 seats

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    Setembro, 10. 2014

    Inhotim press room


    artexhibitioninauguração

    Leitura: 2 min

    The sleeping city

    The sleeping city

    Modernist sculptor Ji?í Lang probably could not imagine that, ten years after his passing, his works created in the Czech Republic during the soviet regime would be shown in Brazil. Although his work was considered promising at the time, the uniformity and control imposed by the government kept his sculptures dormant in his studio, in Prague.

    In 2011, his son, Dominik Lang, brought new meaning to the sculptures creating The Sleeping City installation.  Dominik organized his father’s forgotten pieces, fracturing and surrounding them with physical obstacles such as wardrobes, tables, among others. The work displayed at the 54th Venice Biennial can now be seen at Inhotim and suggests questioning on art’s visibility and destiny.

    dominik-lang-inauguracao-2014-2

    Dominik Lang grew up seeing his father’s sculptures dormant at his studio.

    Since his early creations his has been interested in artistic production and space modification. Dominik Lang often stands between the role of the author and that of the architect, making ephemeral interventions that change the way we perceive objects and places. By choosing his father’s work as his raw material, Dominik creates an unlikely reunion of two generations.

    The next time you visit Inhotim, don’t miss out on the opportunity to stop by Galeria Lago and see his work up close.

    dominik-lang-sleeping-city

    The artist took part in the installation assembly with curator Rodrigo Moura at Galeria Lago, at Inhotim. Photo: Daniela Paoliello

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    Setembro, 01. 2014

    Inhotim press room


    artbrumadinhocommunitycultural programmingeducacionmusicpartnershipprojeto

    Leitura: 4 min

    Naná Vasconcelos in Brumadinho

    Naná Vasconcelos in Brumadinho

    “The body is the best tool, the rest is a consequence of it”.That is how musician Naná Vasconcelos, one of the greatest percussionists in the world, opened his percussion workshop in the former-slave community of Marinhos, district of Brumadinho, which took place on 08/30. In the afternoon, children and youths taking part in Inhotim’s percussion musical initiation project could talk to the artist and find out new ways to make music.

    First, the rhythm was marked with the feet. Then, Naná encouraged them all to use their hands, and, finally, their voices. No traditional musical instruments were used.This composition of movements and sounds allowed participants to become aware of their own bodies, as well as to work on respiratory awareness and on the sense of group. Even though the gestures were simple, they carry the strength of Afro-Brazilian musicality, which is a striking feature of the former-slave culture, and are essential to preserve this culture. “Here, in the community, we are born with music being part of us.It is a gift that is passed on generation after generation by the Congado and Mozambique Guards”, says 14-year old Rhayane Estefanie Alves, who took part in the workshop and participates in Inhotim’s percussion project..

    Rhayane Estefanie Alves, integrante do projeto de percussão do Inhotim. Foto: Rossana Magri

    Rhayane Estefanie Alves, participant of Inhotim’s percussion project. Photo: Rossana Magri

    No domingo, Naná Vasconcelos abriu a programação de grandes shows do Inhotim em Cena. Acompanhado do multi-instrumentista Lui Coimbra, o percussionista levou o berimbau da capoeira para o centro do palco, nos jardins do Instituto. Em uma mistura de brasilidade e som erudito, planejamento e improvisação, os artistas criaram um repertório singular que emocionou o público. “Percussão é símbolo de vida. Se não tiver percussão, quer dizer, se o coração não bater, não tem vida”, define Naná.

    Naná Vasconcelos fez show nos jardins do Inhotim no domingo, como parte da programação do Inhotim em Cena. Foto: Daniela Paoliello.

    Naná Vasconcelos performed in the gardens of Inhotim on Sunday.  Photo: Daniela Paoliello.

    Inhotim em Cena 2014 is supported by the Federal Act for Cultural Incentive, Ministry of Culture. It is brought to you by Pirelli, sponsored by Correios and supported by Saritur. Be sure to check out the upcoming shows of Inhotim em Cena! Click here and see the program.

    aqui e veja a programação.

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    Agosto, 26. 2014

    Inhotim press room


    artexhibitioninauguração

    Leitura: 5 min

    Carroll Dunham’s garden

    If you think you can visit the entire park in one single visit, beware that this might not be that easy. To experience all corners of the park, including the galleries and gardens, you currently need, on average, three days.As of next week, the visit will become even more interesting.

    We will explain: every year Inhotim either changes exhibits in one of the four temporary galleries or opens permanent galleries.In September, the Institute presents new works at Galeria Lago (click here to learn more) and opens its eighteenth space dedicated to a specific artist, this time, it´s North-American artist Carroll Dunham.

    His first contact with Inhotim curators happened in 2005 – before the park was even opened for visitation. This meeting led to an invitation for Dunham to take his experience at Inhotim as a reference and create something new.

    Born in New Haven (USA) in 1949, Carroll Dunham’s production started in late 1970s in New York, where he still lives. The influences that marked his work during this trajectory range from expressionism to pop art, passing through surrealism, with a touch of eroticism and cartoon aesthetics.

    Carroll Dunham, Large Bather  (quicksand), 2006-2012.

    Carroll Dunham, “Large Bather (quicksand)”, 2006-2012.

    The result of this mix was the creation of quite a unique style: scenes in which geometric drawings coexist with organic forms, in which abstraction dialogs with figurative art and the nature-culture duality is revealed with vibrant colors. The representation of the body with strong sexual content is also a striking feature in his production. This can be seen in the series of paintings of bathers, to which the artist dedicated countless canvases since the year 2000.

    For Inhotim, Dunham has created a series of five paintings entitled Garden [2008]. The paintings were finished in 2008 and will be displayed for the first time now, at an old farmhouse located within the park property. The space has been adapted especially for the exhibit.

    Além dos traços pretos característicos que descrevem as figuras, a forma do espiral se tornou um código pictórico no trabalho de Dunham. (Carroll Dunham, Garden  1, 2008. Cortesia Gladstone Gallery, Nova York e Bruxelas. Foto: David Regen)

    In addition to the black lines that describe the figures, the spiral shape has become a pictorial code in Dunham’s work. (Carroll Dunham, “Garden 1”, 2008. Courtesy of Gladstone Gallery, New York and Brussels. Photo: David Regen)

    Before becoming part of Inhotim’s permanent exhibits, Carroll Dunham’s works have been shown in other institutions renowned in the art scene such as the Museum of Modern Art, in New York, the Musée d´Art Moderne, in Paris, and the Museo Nacional Centro de Arte Reina Sofía, in Madrid.

    The artist makes no assumptions about the future of art, or even that of painting.When asked about the theme by Blouin Artinfo, he replied: “I have no clue about what lies in the future, but it seems as if people need images”.

    Plan your visit to Inhotim and visit the works that comprise Garden (2008).

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    Agosto, 20. 2014

    Inhotim press room


    artcultural programminginauguraçãovisit

    Leitura: 4 min

    New exhibitions at Inhotim

    As of September 4, those visiting Inhotim will be able to see several new artworks. Artists from Eastern Europe, Asia and the United States propose a new look towards contemporary art production.

    According to Rodrigo Moura, art and cultural program director for the Institute, in the past 10 years interest for art from Latin America and other regions outside hegemonic production centers has increased worldwide. “This movement is very much related to a perspective of narrative decentralization. Considering this context, we understand that the role of a space such as Inhotim is not only to collect renowned names, but also to introduce others, less known here”, he says.

    A new permanent gallery, the eighteenth in the Institute, will be dedicated to North-American painter Carroll Dunham. This gallery will shelter a series of paintings entitled Garden (2008), which comprises five works that reflect the artist’s impressions about Inhotim.

    carroll

    One of the paintings in the “Garden” series (2008), by Carroll Dunham. Courtesy of Gladstone Gallery, New York and Brussels. Photo: David Regen

    Galeria Lago, one of the four spaces that hold temporary exhibits at Inhotim, will receive works by three different artists. Romanian Geta Br?tescu, considered a type of Eastern Europe Louise Bourgeois, will have a major individual display of her production, with works made between 1986 and 2013 and entitled The garden and other myths.

    geta

    “Medea Hypostases III” (1980), by Geta Br?tescu. Courtesy of the artist and Ivan Gallery, Romania. Photo: Stefan Sava

    Dominik Lang, from the Czech Republic, presents Sleeping City (2011), an installation composed of bronze sculptures created by the artist’s father. Amid iron and wooden sculptures, the pieces acquire new meanings.

    Domink

    “Sleeping City” (2011), by Dominik Lang. Photo: Ondrej Polak

    Filipino artist David Medalla will present the work Cloud-Gates (1965/2013) from the Bubble Machines series – kinetic sculpture formed by foam and first created by the artist in the 1960s.

    medalla

    “Cloud-Gates Bubble Machine” (1963-2013), by David Medalla. Courtesy of Baró Galeria. PR Photo

    To celebrate the opening of new projects, musicians Jards Macalé and Jorge Mautner will be on the Inhotim em Cena stage for a special performance. Musical partners and longtime friends, the two artists will replay Brazilian popular music hits and promise to surprise the audience. The concert starts at 3 p.m., near the Magic Square.

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